The End of Oak Street – Much More Thrilling Than Expected

David Robert Mitchell wrote and directed this sci-fi adventure thriller. It surprised me that the story had so much more to it than I expected. I had seen the trailer before the screening, and it sounded interesting, but I was hesitant about whether it would have the depth it does. The trailer emphasized the dinosaur’s… Continue reading The End of Oak Street – Much More Thrilling Than Expected

THE WRONG GIRLS: A Wildly Imaginative Stoner Adventure

I have said this previously, and I will say it again. I love an entertaining stoner comedy. I didn’t expect the latest stoner comedy to star both Kristen Stewart and Alia Shawkat. As much as I enjoy the acting of both actors, their roles as two major stoner friends are the least-likely scenario I ever… Continue reading THE WRONG GIRLS: A Wildly Imaginative Stoner Adventure

THE SAMURAI AND THE PRISONER: The Unforgiven of Samurai Films

If Clint Eastwood’s Unforgiven is an anti-western, then Kiyoshi Kurosawa’s The Samurai and the Prisoner is the anti-samurai movie. Though Kiyoshi has the same last name as Akira Kurosawa, the late,  legendary master of samurai films, Kiyoshi takes a very different approach to his storytelling and its presentation. With this latest entry, Kiyoshi deconstructs the… Continue reading THE SAMURAI AND THE PRISONER: The Unforgiven of Samurai Films

ONE NIGHT ONLY Is a Bizarre and Mostly Unamusing Exercise In Facism

The central premise of the romantic comedy, One Night Only, is that the U.S government is regulating when single people can have premarital sex. The two protagonists of the film, a couple of single people who keep crossing paths on the one night that singles can have sex without criminal repercussions, is a very scary… Continue reading ONE NIGHT ONLY Is a Bizarre and Mostly Unamusing Exercise In Facism

SPIDER-MAN: BRAND NEW DAY

A forgotten Peter Parker (Tom Holland) lives alone as a full-time Spider-Man until mounting pressure triggers a dangerous change and a powerful new enemy emerges (IMDb.com). This latest installment of the Spider-Man franchise may be my favorite because not only is it visually stunning and well-acted, but, most importantly, extremely well written. Not to say… Continue reading SPIDER-MAN: BRAND NEW DAY

SPIDER-MAN: BRAND NEW DAY Is the Best Spider-Man Movie of The MCU

The MCU’s Spider-Man (Tom Holland) is back with a brand new adventure, with a different director and a set of writers who seem to have a better handle on the character than previous attempts at the character’s development. That is not to say that I did not enjoy the previous installments of the character’s franchise.… Continue reading SPIDER-MAN: BRAND NEW DAY Is the Best Spider-Man Movie of The MCU

HER PRIVATE HELL: A Gorgeous Looking Film Derailed By Its Writing

Nicolas Winding Refn, the director behind Bronson, Drive, and other films with artistic appeal, comes with his latest movie, which looks quite pretty but has a muddled, undecipherable plot. I am not exactly sure what message Refn is trying to convey through his latest film. The movie presents some semblance of a coherent idea, but… Continue reading HER PRIVATE HELL: A Gorgeous Looking Film Derailed By Its Writing

THE ODYSSEY: Christopher Nolan’s Cinematic Adaptation

Homer’s Odyssey is an iconic work of ancient literature that has influenced major contributions to fantasy literature, as well as quintessential entries in storytelling and cinema. Writer/director Christopher Nolan, known for his incredible films, attempts to adapt this classic story with some modern context, but at the same time, honors and celebrates the spectacle delivered… Continue reading THE ODYSSEY: Christopher Nolan’s Cinematic Adaptation