Look, I like what Chris Pratt has brought to comedic performances, especially in the Guardians of the Galaxy trilogy, but the actor cannot do serious drama. This fact is so starkly evident in a film already plagued by bad writing and direction, but it would have been a lead role that could have been so… Continue reading MERCY Is Not Only A Dollar Store MINORITY REPORT, It is so Lame and Imbecilic
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28 YEARS LATER: Is An Entertaining Mix of Shock and Fun
Last year’s 28 Years Later was a bit of a mixed bag for me. There are parts of the film I really liked, but I felt the film ended on a tonal shift that didn’t quite work for me. Nevertheless, I was quite intrigued with how the next installment would play out. With Nia DaCosta… Continue reading 28 YEARS LATER: Is An Entertaining Mix of Shock and Fun
Crítica de cíne – Is This Thing On? La vida cambia en un matrimonio con comedia y drama
Dirigida por Bradley Cooper (Ha nacido una estrella, Maestro) a partir de un guion que coescribió con Will Arnett y Mark Chappell, la película muestra a una pareja que enfrenta dificultades durante su matrimonio de largo plazo, de 20 años. La historia de Will Arnett, Mark Chappell y John Bishop muestra al público cuándo Alex… Continue reading Crítica de cíne – Is This Thing On? La vida cambia en un matrimonio con comedia y drama
IS THIS THING ON? Shows The Healing Power Of Art
The new movie by director Bradley Cooper focuses on a man dealing with divorce, depression, and his struggles to find happiness in his life. After his marriage seems to fall apart, the man initially finds himself lost and aimless, but eventually discovers an outlet not only to express himself but also to learn more about… Continue reading IS THIS THING ON? Shows The Healing Power Of Art
Fantastic Fest 2025: PRIMATE
The 20th Anniversary version of Austin’s Fantastic Fest kicked off with a movie that was sure to whet the appetites of festival attendees with a feast of horror, gore, and humor. The movie is Primate, a film about a chimpanzee infected with rabies that attacks a group of unsuspecting teenagers partying at a parents’ paradise… Continue reading Fantastic Fest 2025: PRIMATE
We Bury the Dead (SXSW 2025 Film Festival Premiere) Now in Theaters
Written and directed by Zak Hilditch, We Bury the Dead premiered at the SXSW Film and Television Festival on March 9th, 2025. It is now released theatrically in the US as of today, January 2, 2026, after a festival run last year. The film is a drama and does contain some horror due to the… Continue reading We Bury the Dead (SXSW 2025 Film Festival Premiere) Now in Theaters
Critica de cíne – Anaconda – Un remake con humor – una opción divertida para Navidad
La película Anaconda de 1997 está protagonizada por Jennifer Lopez e Ice Cube y, aunque pensé que había visto la mayoría de las películas en las que JLo ha participado, honestamente no puedo recordar todos los detalles de esa versión de Anaconda. Tendré que intentar verla cuando visite a mi familia que vive fuera de… Continue reading Critica de cíne – Anaconda – Un remake con humor – una opción divertida para Navidad
2025 In Cinema: Vive La Revolucion!
Another year has come to an end. And it has been an unusual 12 months on our planet with so many crazy changes taking place, particularly in our country (USA). Thankfully, I can say film has mostly remained undaunted, at least when it comes to some of our most talented filmmakers. At the same time,… Continue reading 2025 In Cinema: Vive La Revolucion!
MARTY SUPREME Is A True Safdie Film
Based on the life and career of table tennis player Marty Reisman, filmmaker Josh Safdie has developed a film that feels true to his style, given the level of stress and tension he is known for in his movies. The result is a captivating and entertaining experience that is one-of-a-kind for this year, but feels… Continue reading MARTY SUPREME Is A True Safdie Film
Anaconda: leans fully into its absurdity, presenting itself as an intentionally silly
The new Anaconda doesn’t pretend to be a reinvention, a reboot, or even a particularly clever update. Instead, it leans fully into its absurdity, presenting itself as an intentionally silly, self-aware comedy that knows exactly how ridiculous its premise is—and occasionally dares the audience to keep up. Inspired by the so-called cinematic “classic” rather than… Continue reading Anaconda: leans fully into its absurdity, presenting itself as an intentionally silly