Movie Review: SPEAK NO EVIL (2024) Is Not Exactly The Same Film As The Original

In 2022, the original Danish film, Speak No Evil, made a significant impact on horror fans with its unique elements. It is a psychological thriller that gradually transforms into a terrifying nightmare. However, a more Americanized version of this film has been created, possibly for commercial reasons, and is now showing in theaters. Having watched both versions, I can attest that while they share a similar premise, they are distinctly different films.

The setup is quite similar. Two different families connect on a vacation, and manage to exchange information so that they can further connect in the future. Irish citizens Paddy (James McAvoy), his wife Ciara (Aisling Franciosi), and their son, Ant (Dan Hough) invite some friends to reconnect after having a great time during their vacation together. Ben (Scoot McNairy), Louise (Mackenzie Davis), and daughter, Agnes (Alix West Lefler) agree to take some time off from their lives and troubles to enjoy another short vacation in Ireland. As both families get acquainted, something seems off about Paddy’s family. As Ben and his wife get to know their hosts better, they become increasingly uncertain if they are in a horrible situation or not.

While the original Danish Speak No Evil culminates in a bleak and pitch-black nightmare, the remake takes a different turn, leaning more toward dark comedy. The choice between the two films ultimately comes down to personal taste. Writer/director James Watkins infuses a darkly comedic tone into the material, offering a more entertaining experience with his version of the story. Both films effectively build tension and discomfort, but it’s in the climax that their paths diverge.

I will not elaborate further because I refuse to spoil both films. I prefer the original movie because the filmmakers dared to present a true nightmare of a horror movie. Watkins, cast and crew had other intentions for this version. That is not to say that I didn’t enjoy this different take. The writing and direction are solid, and, most importantly, James McAvoy understands his assignment in this movie.

His performance is undoubtedly one of the highlights of this movie. I was pleased with the acting of the rest of the cast, but McAvoy is essential to how this movie works as well as it does. I believe the die-hard fans of the first version will feel somewhat cheated with this new take, but I think those who did not like how dark the original film played out will prefer this version.

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