Author: Laurie Coker

The ‘3 Body Problem’ screening at SXSW 2024 offered a tantalizing glimpse into what promises to be a groundbreaking television series. Directed by the talented Derek Tsang, this Netflix original weaves together a mesmerizing tale that spans decades and dimensions, blending science fiction, drama, and mystery seamlessly. At its core, ‘3 Body Problem’ is a… Continue reading SXSW 2024: 3 Body Problem – landmark television

In the densely wooded realm of creature cinema, ‘Sasquatch Sunset’ emerges as a peculiar yet visually captivating entry to filmmaking. Co-directed by David Zellner and Nathan Zellner, this unique cryptid comedy embarks on a whimsical journey with a nomadic sasquatch family, potentially the last of their kind. While the film boasts a fiercely committed cast,… Continue reading SXSW 2024: Sasquatch Sunset -a peculiar yet visually captivating entry to filmmaking

At SXSW 2024, audiences were treated to the raucously crude comedy ‘The Gutter,’ a film that takes the bowling alley setting to new heights of hilarity. Directed by Yassir Lester and Isaiah Lester and boasting a quality ensemble cast, including Shameik Moore, Susan Sarandon, D’Arcy Carden, and Jay Ellis, ‘The Gutter’ delivers crass humor and… Continue reading SXSW 2024: The Gutter – delivers crass humor and a few surprises

The world premiere of ‘The In Between’ at SXSW 2024 was highly anticipated. It promised an intimate exploration of grief, nostalgia, and life along the U.S.-Mexico border. Directed by Robie Flores, who returned to her hometown of Eagle Pass, Texas, the documentary aimed to capture the essence of everyday existence in a unique cultural pocket.… Continue reading SXSW 2024: The In Between – promises more than it delivers

Jane Schoenbrun’s ‘I Saw the TV Glow’ ambitiously attempts to explore themes of transgender self-actualization and the allure of escapist media. However, despite its lofty aspirations, the movie ultimately needs to catch up, delivering a messy and disjointed viewing experience. The film premiered at the prestigious Sundance Film Festival before it screened at SXSW 2024,… Continue reading SWSX 2024: I Saw the TV Glow – a theme lost in a disjoined mess

‘The Greatest Hits’ is a film that explores the depths of grief and the power of music to transport us through time and memory. Directed by Ned Benson, the movie follows Harriet (Lucy Boynton) as she grapples with the loss of her boyfriend Max (David Corenswet) in a tragic car accident. Using music as her… Continue reading SXSW 2024: The Greatest Hits – using music to travel back in time

Screening at SXSW 2024, ‘Cheech and Chong’s Last Movie’ is a documentary that offers a comprehensive and revealing look into the iconic comedy duo’s journey from obscurity to stardom and the bumps along the way. Directed by David Bushell, this documentary navigates through the highs and lows of Cheech Marin and Tommy Chong’s legendary partnership,… Continue reading SXSW 2024: Cheech and Chong’s Last Movie – revealing and honest

At the center of the SXSW 2024’s buzz screenings came ‘Sing Sing,’ a film that defies conventional storytelling to offer a profoundly empathetic and authentic exploration of hope amidst adversity. Director Greg Kwedar masterfully weaves together a narrative inspired by real-life events, immersing viewers in the poignant journey of Colman Domingo’s Divine G and his… Continue reading SXSW 2024: Sing Sing -a profoundly empathetic film

‘We Are All Going to Die’ made its world premiere at SXSW 2024, offering audiences a fresh and inventive take on the sci-fi genre. Directed and co-written by Freddie Wong and Matthew Arnold, the film introduces viewers to a near-future world where an enigmatic alien spike looms ominously in the sky, leaving destruction in its… Continue reading SXSW 2024: We are all Going to Die – an inventive take on the sci-fi romance genre